Sunday, July 30, 2023
HE TOUCHED ME (TH)
Sunday, July 23, 2023
MORE HOLINESS GIVE ME
Philip Paul Bliss lived in a log cabin on a homestead in a rural Appalachian mountain region of northern Pennsylvania. His father was a devout Christian and a musical man who was always singing gospel songs. Young Philip learned to sing with his father and to whistle and play on reeds or other rude instruments he would make himself. He showed a love of music early in life.
At the age of eleven, it is said that Philip left home to work on a farm, carrying all of his clothing done up in a handkerchief. For the next five years he worked on farms and in lumber camps, meanwhile taking every opportunity for schooling that presented itself.
After a Baptist minister conducted a revival at a school he attended, he was baptized at the age of twelve by a minister of a nearby Christian Church. He is reported to have said, however, that he never could remember the time when he did not love the Savior
Philip P. Bliss and Lucy J. Young were married in June of 1859 in the parlor of a minister's house at Wysocks, PA. Lucy was about eighteen years of age at that time and he was twenty. Neither of them had money, so they continued to live with Lucy's parents, and Philip worked on the farm for his father-in-law for the typical wage of thirteen dollars a month. That winter he also taught music lessons in the evenings, and he had a great desire to learn more about music.
In the summer of 1860 a "Normal Academy of Music" was held at Geneseo, New York, offering instruction from some of the notable musicians of the area. Philip despaired of being able to attend, lacking the thirty dollar fee, and was disheartened at his future prospects. However, Lucy's Grandmother, Allen, who lived there with the family, hearing his distress and listening to his plight, kindly gave him the silver coins she had been saving for years in an old stocking. This amounted to more than the fee. This was a pivotal moment, and he spent six weeks of the hardest study of his life there. Bolstered with this training, he became a professional music teacher the following winter. It is said that his father-in-law gave him a twenty-dollar melodeon, and with the small, foot pedal powered reed organ, and a horse named Fanny, he traveled about the area giving lessons.
Philip's travels and associations increased, and he visited Boston, New York and Brooklyn. In the summer of 1869 in Chicago, he and Lucy happened upon a gospel meeting of Dwight L. Moody. Their decision to attend the meeting changed the course of their life. Mr. Moody was without his leader for the singing that night and Philip helped as he could from the audience, which drew Mr. Moody's attention. In shaking hands on the way out, Mr. Moody got him to promise to come and help in the singing as often as he could. This he did and Philip continued in association with Mr. Moody.
In December of 1876, Philip and Lucy spent a very happy Christmas with their two sons, ages four and one, and their extended family at Rome. Then, leaving their sons with the grandparents and aunt, were required to leave for Chicago as they had engagements there. They traveled by rail and shortly before eight o'clock on the cold stormy evening of December 29, 1876, the connecting train in which they traveled from Buffalo, New York around Lake Erie, approaching Ashtabula, Ohio, plunged into a ravine as the bridge gave way. Some of the 160 passengers escaped from the seven cars through broken windows into the icy water and snow, but it is said that within five minutes, the stoves and lamps in the varnished wooden cars had set them ablaze, and the remainder of the passengers perished in the intense heat of the ensuing fire. A survivor reported that Philip had escaped through a window, but went back to find Lucy and did not return. They both died in the flames and no trace of their remains was found.
Philip P. Bliss was only thirty-eight years old at the time of his death, yet it is said that he authored hundreds of hymn texts and composed many of their tunes. The story of his life shows that he was not only a great example of a man who, through divine providence, raised himself from poverty to national acclaim, but a great example of the Christian attributes he expressed in his hymn More Holiness Give Me. The basic structure of the piece is the repeated prayerful entreaty for "more" of the essential Christian attributes he describes.
At first glance the lines may seem to be an unrelated list tied together by rhyme. However, note in the first verse that there is a connection between having faith in the Savior and a sense of his care, to having patience in suffering, feeling sorrow for sin, having a desire to strive within, praying with purpose and finding joy in service.
The lines of the second verse speak of what the Savior has done for us, and refer to His teachings (hope in his word), example (meekness in trial), crucifixion (sorrows, grief), atonement (praise for relief), and resurrection (glory), for which we are grateful. The third verse effectively describes the requirements for being like the Savior and coming home to his kingdom: serving, overcoming the stains of earth life, and becoming pure and holy.
Bliss wrote a tune that he named MY PRAYER for More Holiness Give Me, and in some early publications the hymn had the title, My Prayer. The completed work is believed to have been first published in 1873,
Take time this week to study these powerful words. May they be your prayer.
1. More holiness give me,
More strivings within,
More patience in suff'ring,
More sorrow for sin,
More faith in my Savior,
More sense of his care,
More joy in his service,
More purpose in prayer.
2. More gratitude give me,
More trust in the Lord,
More pride in his glory,
More hope in his word,
More tears for his sorrows,
More pain at his grief,
More meekness in trial,
More praise for relief.
3. More purity give me,
More strength to o'ercome,
More freedom from earth-stains,
More longing for home.
More fit for the kingdom,
More used would I be,
More blessed and holy—
More, Savior, like thee.
Listen to it here. REQUEST
Sunday, July 16, 2023
HE IS ABLE (CLASSIC CHORUS)
Sunday, July 9, 2023
I PLEDGE ALLEGIANCE TO THE LAMB
But making a pledge can have serious consequences if it is taken seriously. The 56 men who signed the declaration of independence faced sufferings for themselves and their families. Of the 56 men, 5 were captured by the British and tortured before they died. 12 had their homes ransacked and burned. 2 lost their sons in the Revolutionary Army. Another 2 sons were captured. 9 of the 56 fought and died from wounds of hardship of the war.
Now, it's one thing to make a bold declaration in the comfort of a congressional meeting, but it's quite another to pay the price, to fulfill that declaration on the field of battle, to pay with blood; yours - your families - and your neighbors.
There are real battles to be fought, real struggles to overcome. We are called in scripture to "finish the race," "to fight the good fight," "to endure hardships like a good soldier." Yes, we are in a real war, we have a real enemy, and he does not like it when someone, opposes, challenges, defies him. Our enemy, Satan, will attack us, pursue us, tempt us, he will try to make sin look good. He will at times, come at us head on just like a roaring lion, and at other times he will appear as angel of light.
Are we keeping, with the help of the Lord, our pledge of allegiance to the Lamb?
Listen to it here. ALLEGIANCE
Sunday, July 2, 2023
WHEN WE ALL GET TO HEAVEN
This is a feature where once each month I share one of my personal favorite hymns.
As Eliza recovered some of her strength in later years, she was able to get around slowly. She attended the summer Methodist Camp meeting, in Ocean Grove, New Jersey. Here she met Emily D. Wilson and they formed a great friendship. They worshipped and studied together and together created this hymn, "When We All Get To Heaven." The hymn was first published in 1898.
Are you perplexed? Discouraged? Worried? Why not sing and claim the words of this great hymn, "When we all get to heaven, what a day of rejoicing that will be! When we all see Jesus, we'll sing and shout the victory!"
That day is coming soon. I hope to sing and shout with you then, around His throne.
Listen to the music here. LISTEN
Sunday, June 25, 2023
JESUS IS THE SWEETEST NAME I KNOW. (TH)
Sunday, June 18, 2023
HOW GENTLE GOD'S COMMANDS
In 1730, he married a young lady named Mercy. They had nine children, with four living to adulthood. A friend and admirer of fellow minister and hymn writer Isaac Watts, Philip himself wrote 400 hymns, mostly to accompany his sermons. This one was published posthumously under the title "God's care - a remedy for ours" .
Doddridge belonged to the Non-conformist Church (not associated with the Church of England). Its members were frequently the focus of discrimination. Offered an education by a rich patron to prepare him for ordination in the Church of England, Doddridge chose instead to remain in the Non-conformist Church. For twenty years he pastored a poor parish in Northampton, where he opened an academy for training non-conformist ministers and taught most of the subjects himself.
Doddridge also served as a Presbyterian minister at a time and place of religious contention. Yet, having seen enough of intolerance and bigotry, he sought tirelessly for healing and unity. One biographer said of him, "Doddridge carried out his own ideal with great fidelity and with conspicuous success. He did more than any man in the 18th century to obliterate old party lines and to unite nonconformists on a common religious ground."
In this hymn Doddridge tells us to cast our cares on the Lord because of His gentleness. In stanza 2 he mentions God's providence and in stanza 3 he mentions God's throne. Stanza 4 shares God's goodness. The entire hymn stands as a tribute to this gentle man and his gentle beliefs
Doddridge suffered from tuberculosis, and when Lady Huntington, one of his patrons, offered to finance a trip to Lisbon for his health. But it was too late and he died shortly after the offer.
You can listen to it here. CARE
Sunday, June 11, 2023
SOFTLY AND TENDERLY
This week's hymn choice is a classic invitation hymn that was very common in services during that era. Now some of you may disagree with the doctrine behind such hymns but I will let that choice up to you. I have decided to include it in my blog because, right or wrong, it was a major part of Christian music for centuries. Over the years many Christians were influenced by the Holy Spirit through this hymn.
Will Lamartine Thompson (1847-1909) was born in Pennsylvania and died in New York City. He attended Mount Union College in Alliance, Ohio, and the New England Conservatory of Music in Boston, before continuing his musical studies in Leipzig, Germany. In addition to being a composer of secular, patriotic and gospel songs, Thompson was a music publisher. When his songs were rejected by publishers of his day, he formed his own enterprise, Will L. Thompson & Company, with offices in Chicago and East Liverpool, Ohio. By the 1880s the company expanded beyond publishing music and sold pianos, organs and other instruments and supplies.
The words and music for "Softly and Tenderly Jesus Is Calling" first appeared in Sparkling Gems, Nos. 1 and 2, a collection compiled for Thompson's company in 1880 by singing-school teacher J. Calvin Bushey. Perhaps Revelation 3:20 captures the spirit of the hymn: "Behold, I stand at the door, and knock: if any man hear my voice, and open the door, I will come in to him, and will sup with him, and he with me." (KJV) This patient Jesus stands "on the portals . . . waiting and watching . . . for you and for me."
The second stanza takes a different approach: How can we reject the "pleading" one who offers "pardon"? The third stanza increases in urgency: "Time is now fleeting, the moments are passing . . . shadows are gathering, deathbeds are coming . . . ." The refrain extends the invitation to "come home" four times in the melody.
Hymnologist Ernest Emurian told a story associated with this hymn: "When the world-renowned lay preacher, Dwight Lyman Moody, lay on his deathbed in his Northfield, Massachusetts, home, Will Thompson made a special visit to inquire as to his condition. The attending physician refused to admit him to the sickroom. But, Moody heard them talking just outside the bedroom door. Recognizing Thompson's voice, he called for him to come to his bedside. Taking the Ohio poet-composer by the hand, the dying evangelist said, "Will, I would rather have written "Softly and Tenderly Jesus Is Calling" than anything I have been able to do in my whole life."
Have you heard the call of the Savior? Have you responded to it? If not, don't delay any longer. Accept His free gift of salvation today.